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From:
GD
To:
IDM List
Date:
Sun, 16 Mar 1997 22:14:25 -0500
Subject:
Re: (idm) Autechre 1993 - extended jams
Msg-Id:
<332CB711.4E48@worldnet.att.net>
Mbox:
idm.9703.gz
Gonzi (Fresh):
quoted 6 lines I think their rythms have evolved somewhat and become perhaps a bit more> I think their rythms have evolved somewhat and become perhaps a bit more > complex, but fankly how different is what they are doing now from the > Anti EP? Not a whole lot. It's not necessarily that I'm against the lack > of structure in some of their songs, it's the fact that what they're > doing now compared to what they were doing years ago is too simmilar to > my ears.
Not to draw this thread out too much longer, but I guess I still don't understand what you mean about being the same. As others have pointed out, their sonic/timbral vocabulary has been pretty much redifined with each EP/LP combination - Envane/Chiastic sounds different than Anvil/Tri sounds different than Garbage/Amber. Here's what Chiastic and Envane have to offer that is original IMO: 'Rettic AC' and 'Hub' are nice bits of musique concrete - nothing like this on any of their previous releases; 'Cichli' is in 10/4 and tunes in different meters are surprisingly rare for IDM in general; 'Nuane', 'Latent Quarter', and 'Laughing Quarter' have some of the most quirky and nuanced programming they've ever done (all stumbly and noisy) - which doesn't sound like their previous releases at all.
quoted 6 lines The one thing that must be avoided at all costs if 'this' music> The one thing that must be avoided at all costs if 'this' music > is to be a constantly innovative and expanding genre is the relaxation > into a comfortable mode where its sufficient simply to deliver the > product that everyone expects from a given artist. This has already > happened with FSOL, I think (among a few others) and I would hate to see > it happen Autechre.
I guess it depends on what you consider to be innovation. I think that some basic subgenres within IDM are peaking, d&b in particular, and Autechre is one of the few artists trying to work outside of the current phase yet all the while incorporating some of its elements. Not that they're alone, but one of the prominent ones for sure. GD